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 350: 641

 George Eliot

 350: 645

 Archives of American Literature

 350: 605

 Gender, Sex, Self in 18C England

 350: 505

 How to Read a Poem

 350: 598

 Encountering the Other in World Lit

 350: 589

350: 642

 Race & Transnational Performance in Americas

Theory and Practice of Victorian Fiction

350: 512 Texts/Images/Worlds: Performance and Performativity Across Media

350:642 - Theory and Practice of Victorian Fiction

Course No: 350:642
Index # 15002
Distribution Requirement: A4, B
Time: Wednesday - 3:50 p.m.
Location: MU 207

Theory and Practice of Victorian Fiction

Leah Price

This seminar offers an opportunity to explore the material and linguistic forms of the Victorian fiction alongside the genres of literary criticism. Each week, we’ll read a different genre or mode (gothic, historical, satirical, juvenile, naturalist…) alongside a nineteenth-century commentary (book review, preface, obituary, marginalia…) and a twenty-first century intervention (article, book chapter, bibliography, video, database, exhibit). We’ll think together about what modes of argument are particular to a genre (the novel), a medium (print), a pace (serialization) and a set of institutions (library, bookstore, university). In order to figure out how new critical forms and archival formats are changing the rules of the critical game, we’ll experiment with weekly exercises in multiple genres of professional writing. We will therefore replace a single long research paper with a conference paper led up to by a series of shorter activities:

• glossing a keyword,
• captioning an object viewed in a field trip to a special-collections library,
• formulating questions, both to visiting authors and to your classmates,
• presenting research in a social-media thread,
• composing a conference abstract,
• asking and answering questions about research in progress.

Authors include Fenwick, Austen, Dickens, Thackeray, Trollope,
Gaskell, Sewell and Gissing.

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New Brunswick, NJ 08901-1167
Phone: (848) 932-7571

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